This is my take on three of the bird monsters from Maple Story.
I realized I never drawn animals before so I thought I'd start with something cute; and I've always loved those three birds! (among a lot other mobs from the game- I might pick a few and draw them too <3)
I decided to make them look chubbier than the first sketch (link) and I quite like the way it turned out~
This is how they look like in game:
(images from hidden-street.net)
And I recorded some of my linearting as a test:
I want to experiment more with colors for the next arts, please bear with me!
Although I think that in the end, I'll always like bright ones ;u;
I'm posting this here so I could find it easily later if I needed to read it again XD
Anyway, this is good read to anyone so enjoy too!
Joe Madureira posted this status on his facebook page
"Do you really want to be an artist? Or a successful working professional?
Believe it or not there is a difference. I’m not usually a soapbox type guy, I don’t like instructing people, and I think I’m a terrible teacher. But hey, it’s Friday and I’m in a strange mood. So here goes:
I’ve noticed that a good number of my fans happen to be aspiring artists themselves. This is for all you guys. I get asked constantly: “Where should I go to school?” “What classes should I take?” “What should I study for anatomy?” “What pencils and paper do you use?” “Should I be working digitally now instead of traditionally?” “How do I fix my poses? Learn composition? Perspective?” “When am I going to develop my own style?” “Who were your influences?” “Teach me how to draw hands!” The list goes on… Here’s the deal. All of that stuff *is* important, and it may nudge you in the right direction. A lot of it you will discover for yourself. What works best for one person doesn’t work for another. That’s the beauty of art. It’s personal. It’s discovery. DON’T WORRY ABOUT ALL THAT CRAP!
Instead I’m going to answer the questions that you *SHOULD* be asking, but aren’t. These are things that have only recently occurred to me, after doing this for 20+ years. These things seem so obvious, but apparently they elude a lot of people, because I am surprised at how many ridiculously talented artists are ‘failing’ professionally. Or just unhappy. The beauty of what I’m about to tell you is that it doesn’t matter what field you’re in or what your art style is.
In no particular order: 1) Do what you love. If you are passionate about what you’re doing, it shows. If you’re having fun, it shows. If you’re bored, IT SHOWS. Some guys are able to work on stuff they have zero interest in, and still pull off great work, but I find that when I do this my motivation takes a huge hit. And Motivation is key. Money is not a great motivator. It’s temporary like everything else. And honestly, I’ve gotten paid the most money for some of the shittiest work I have ever done. That may sound awesome, but it’s not. And here’s why…
2) You MUST stay Excited and Motivated. Have you noticed that there are days you can’t draw a god damned thing? And some days you feel like you can draw anything? It’s 4am but you don’t notice because you are in the ZONE. Your hand is racing ahead of your mind and you can do no wrong?! Maybe it’s some new paper you got. Or a new program you’ve been wanting to try out. Or you just found some amazing shit on DeviantArt, or watched some movie that just makes you want to run straight to your board. This relates to the above because while it is possible to involve yourself in projects you aren’t excited about—maybe you need the cash, or think it will look good on your resume, whatever it is—it’s not going to last. You need to stay fresh. Expose yourself to new things. New techniques. You should be getting tired of your own shit on a fairly regular basis. Otherwise other people will.
3) Check your Ego. If you think you’re the shit, you’re already doomed. You may be really, really good at what you do, but there’s someone better. Sorry. There’s always plenty to learn, even for us old dogs. So when I meet young upstarts who have this sense of entitlement, or a know-it-all attitude, I just have to laugh. Some of the biggest egos I’ve ever witnessed were from people who have accomplished the least. Meanwhile, most guys who are supremely talented AND successful, and have EARNED the RIGHT to have an ego and throw their weight around, don’t. Why is that? It’s because…
4) Relationships are important. This may be one of the biggest lessons I’ve had to learn. Early on, I didn’t value my relationships with people. Creatively or otherwise. I felt like I didn’t need anyone’s help and I could figure everything out on my own. Let’s face it, many of us become artists because we are reclusive, social misfits. We’d rather stay inside and draw shit than go outside and play. We like to live inside our own minds. Why not?! It’s awesome in there! And sometimes we don’t want to let other people in. But like I said—you can’t do it alone. I can honestly say that as much as I try to stay current, as much as I try to push my work and draw kick ass shit that will excite people, I would not be where I am today if it weren’t for all the other people I’ve met and learned from along the way. Guys who pulled strings for me. Took risks on me. Believed I was the right guy for the job. You need to manage your relationships. You need to network, and meet people. Drawing comics is still a pretty good place for reclusive types—but if you want to work in big studios—Making games, Films, animation, basically any other type of job on the planet, you’d better start making some connections. Be likeable. Be professional. That doesn’t mean be an opportunistic ladder climber. Fake people lose in the end. Be yourself, but be professional. It’s no secret that when people are hiring, our first instinct is to bring in people we know. It’s human nature. I don’t like unknowns, even if their portfolio is awesome. If we have a mutual connection, if they have great things to say about you, you’re in. If you have AMAZING artwork to show, and I call your last employer and they tell me what a pain in the ass you are to work with, you’re done. Talent and skill only get you so far. I am literally amazed at how often I meet guys that are total assholes and think they are going to get anywhere.
5) Here’s the BIG ONE. The greatest obstacle you will ever have to overcome IS YOURSELF. And the Fear that you are creating in your own head. Stay positive. Stop defeating yourself. There are artists I know that are so damn good they make me pee my pants. I look up to these mofos. I study their shit and I want to draw like them. And they are almost NEVER working on their DREAM project. And—big surprise, they aren’t happy in their job. “Why NOT?! WTF is WRONG WITH YOU?!” is usually my reaction. And the answer is almost always “The market isn’t great right now” “Other stories/games/comics like mine don’t do very well” “The shit that’s hot right now is nothing like mine, It’s just going to fail.” “I’m not sure I’m good enough.” “I need the money.” “Too Risky.” “I tried it before and failed. ” It doesn’t matter what words they use, they are afraid for one reason or another. I know. I’ve been there. But here’s the deal. YOU NEED TO TAKE RISKS. Guess what? YOU ARE MOST LIKELY GOING TO FAIL. If you want it—REALLY want it, that won’t stop you. You will learn A LOT. My good friend Tim constantly jokes about how I jump out of planes without a parachute and worry about the landing on the way down. You may think that I’m lucky, that it’s easy for me to say because I’m already successful, that I’m in a different situation than you all are. But it’s not true. Risk is risk, no matter what level you’re at. If you’re already successful, you just take even bigger risks. But they never go away. Everything in life is Risk vs. Reward. Not just in your career. LIFE. You’d better get used to it.
I didn’t know what the hell I was doing when I got into comics. I left the #1 selling book at the time ( Uncanny X-men ) to work on Battle Chasers during a time when ‘Conan’ was about the only fantasy comic people knew. And no one was buying it. I wanted to work in games, so I started a game company. I had NO IDEA WTF I was doing. I just wanted it, really bad. We tanked. It failed. No big surprise. But the people I worked with got hired elsewhere and rehired me. I started ANOTHER game Company. We had 4 people and a dream, and some publishers wouldn’t even meet with us, because their ‘next gen console’ teams had 90+ people on them. I literally got hung up on. “Stick to handheld games, it’s smaller, maybe you can handle that…” one MAJOR publisher told us. I don’t blame them. But we didn’t let it stop us. Thank god we didn’t listen to them. Vigil was born. Darksiders happened, AND we got to make a sequel. It stands shoulder to shoulder with the best games in the industry, and the most elite and experienced game dev studios in the world. How is that possible?!!! Hardly any of us had even worked on a console game before. I’ll be honest, I was thinking we would fail the whole time. I just didn’t care. If I had to play the odds on this one, I’d bet against us.
Why am I telling you all this shit? This is not me patting myself on the back. It’s just stuff that has somehow only dawned on me recently when it’s been staring me in the face for so long. I feel like I need to wake you guys up!!! I’ve been limiting myself. I’ve gotten afraid. I’ve taken less risks. I saw my career going places I didn’t want to go. I wasn’t happy and I wasn’t excited. And I’ve realized, that all that stuff I just talked about is the reason I am where I am today. Not because I have a manga style, or I draw cool hands, or there’s energy in my drawings, or all the other things people rattle off to me. There are other guys that do all that same shit, and do it better. And amazingly, those same guys constantly tell me “Man, I wish I could do what you are doing.” “SO DO IT!!!!!” PLEASE listen to me—because I want you guys to make it. I want to look to one of you people for inspiration some day when it’s 2am and I need to keep drawing. Stop worrying about all the other stuff—the pencils, the paper, the anatomy, all that shit. It will only get you so far. You’ve already got most of what you need. I hope this helps some people. From the bottom of my heart, thank you for all the support over the years. You are all one of the greatest motivating forces in my life and my career. Sappy but true. Ok, let’s go draw some shit!!!
From last post, my new ID/ avatar kind of thing for my deviantArt and elsewhere XD
Pixel art is a lot of work but it was fun as well~ it was kind of therapeutic. I really enjoyed!
I've read most tutorials on this list [link] plus some others I picked randomly on google.
I've used both Paint Tool SAI and Photoshop CS for it. (Binary tool on SAI and pencil tool on Photoshop for those who doesn't know what tool to use - like I didn't ;u; )
When I resized to 50x50 (dA's icon size), I thought it looked strange so I increased some of the contrast to look better on that scale:
(I also changed the mouth shape at this point)
But I screwed something by not saving in the correct file size (maximum is 50kb for avatars) and in the end I kept the original mouth and this is how it currently looks:
Ahhh I don't know when I'll do pixel art again XD But I definitelly learned to respect pixel artists (even) more~
I feel like I accomplished something by knowing how it's done even though I cheated a little on dithering lol
It's my first attempt at it and I'm still reading tutorials about it ~
Yeah, dithering? I'm just making a random pattern.. as long as it looks good at a 50x50 size will serve my purpose though lol
I think I will animate the mouth, making it switch from blank to smiling but dA's avatar size restriction is 50kb so let's see if it will be small enough ;_;
Because I wanted to draw animals, I thought I'd draw those lovely birds from MapleStory :D
Just a sketch, but I really look forward to get this done! I guess now I understand the thrill of drawing pokemons and such, hahah.
I loved them harpies since the Leafre area came out, so many years ago. I also wanted to fit Tino on the background because it's a cute bird too.
Drawing little creatures was more pleasurable than I thought! *u* I want to do more of this~
I'll always like MapleStory for the cutesy and pixelated art. Although their recent CG artwork is pretty stunning too! Ahhh they got some amazing artists!!
I've been reading some pixel art tutorials so I'll post some pixel art tests here soon~
I'm just gonna accept I won't be able to livestream because it's so troublesome to me T_T
I had a second attempt on it and it was fine while I was live, but I think the length of my video was too long and it didn't record successfully to my channel >.> I thought it would be interesting for viewers that weren't able to join live to see it later, or myself, to keep track if I am getting better at all. Oh well
This means I'll post more progress shots here I guess. XD
Health wise, I feel terrible. I think I'm taking a while to finish those..
Berry queen went through some changes~
Actually now that I'm almost done outlining, I'm unsure of how I'll color it XD
And this is another one I sketched up.
I wanted to draw a sincere looking person, haha. I know, so vague but this is what I came up with.
I hadn't drawn short haired ladies in a while.
I might be addicted to long hair, I like drawing them :3
After a day at the hospital, I kept thinking of.. berries. Yes, I am sane.. I think!!!
The same character I drawn so long ago, around the time I got my tablet: queen's debut~
AHHH I NEGLECTED YOU, YOUR HIGHNESS. I AM SORRY.
Thinking now, I noticed it would be funny if she was some sort of forever alone royalty lol
My silly sketch of the day. I don't know why, I've been wanting to work with less colors these days :3
For this one I'd use 3 or 4 colors and its shades, but my thyroid has been really hard to deal with so I hope I have the willpower to finish this drawing, even if it will look rougher than the usual lol.
I'm happy to draw something at least a little different than the usual. But it's so pleasent to draw smiling people! It's like a therapy, it's like my own smile...
Ok I'll just start by posting this, based on the sketch I posted the other day :D (Juna)
So I had plans to finish and post this on sunday (march 31st), for Sakamoto Maaya's birthday. I failed in making it on time but I had a good reason (will explain later), but hey! here it is :D
Super happy to finally make an Arjuna fanart~ I think I managed to capture the feel of this anime.
Sakamoto Maaya is one of my most favourite singers, and some of this soundtrack is sang by her. If you have a chance to hear it, do it! It's composed by Kanno Yoko so it's guaranteed epicness.
I promisse next time I'll make something more colorful :3
I didn't finish it on sunday partially because my health isn't doing too good (I had been neglecting my hipothyroidism D:) and because I had just done reading the Wizard of Oz. I downloaded a whole bunch of books in my iPod and I read myself to sleep everynight.
After reading it.. I might have discovered how a child feels like when they are told Santa doesn't exist T__T
Partially my fault because I never seen the movie before or read the book for that matter. I DIDN'T KNOW OZ WASN'T A WIZARD AT ALL ;O;
I knew the story and characters superficially, and the morale of the story but.. I NEVER KNEW IT, MAN..
After that, I just HAD to watch the movie. The one from 1939 of course, because my father was a Pink Floyd fan and most of us know how that movie is linked to The dark side of the moon.
SO OBVIOUSLY I HAD TO WATCH BOTH VERSIONS, with original audio and the one sync'ed with The dark side. AMAZING.
I noticed a few differences between the book and movie, but I thought it was a brilliant and great adaptation. I have to say the "silver shoes" that in the movie are ruby were quite dazzling! *u* I expected more blue in the munchkins' land. But as I said, brilliant! And I often don't like movie based on books
So I made a sketch based on the moment the bad witch of the west appears for the first time in front of Dorothy as she is, and the North witch sort of protects her.
I believe I'll still make some changes in this, but basically this is the idea I had in mind~
At last, leaving the best sync'ed version I found of the movie 'D'
Is it possible I like this album even more now?? This is really perfection T___T
It's really scary how synchronized it is~ really amazing
